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We can therefore conclude that experientiality is a necessary—but not sufficient—condition for narrativity. Experientiality thus becomes only one of the factors that contribute to making a semiotic artifact intelligible in narrative terms.
Yet for all their bizarreness, these stories maintain a connection with human experientiality via the themes they address see Alber Indeed, while the advocates of unnatural narratology tend to drive a wedge between unnatural and natural approaches, Fludernik herself has pointed out how natural and unnatural elements are, in literary mimesis, intrinsically bound up. This double movement between storytelling and background is, according to Caracciolo : 49 —50 , constitutive of experientiality.
From this hermeneutic perspective, narrative experientiality is bound up with interpretation qua our basic way of engaging with the physical, social, and cultural world. The investigation of the experiential texture of storytelling can benefit from the rising interest in experience itself within contemporary cognitive science: traditional, AI-inspired cognitivism sidelined experience, concentrating instead on abstract, unconscious processes and their function in shaping behavior Chalmers : While this interdisciplinary exchange with the cognitive sciences can open up new avenues of investigation into narrative experientiality, it also creates unprecedented challenges for narrative theory.
The empirical-phenomenological project launched by literary scholar Miall and psychologist Kuiken see, e.
Kuiken et al. It is argued above that the concept of experientiality lends itself to two interpretations: it can refer to the textual representation of experience, but it also hints at the experiences undergone by the recipients of narrative. But at this stage it seems important to follow Fludernik in attempting to build a synergy between the text-first and the recipient-first approach to experientiality. Empathy for characters appears to be crucial to bridge the gap between the textual and the readerly pole of experientiality. What is the role of mental imagery in the reading experience, and to what extent does it depend on textual cues?
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Marco Caracciolo. History of the Concept and Its Discussion Experientiality is one of the key terms of postclassical narratology see Herman ed. Topics for Further Investigation It is argued above that the concept of experientiality lends itself to two interpretations: it can refer to the textual representation of experience, but it also hints at the experiences undergone by the recipients of narrative.
Bibliography Works Cited Alber, Jan Alber, Jan Alber, Jan et al.
Bernaerts, Lars et al. Caracciolo, Marco Berlin: de Gruyter. Chalmers, David J. New York: Oxford UP. Cohn, Dorrit Princeton: Princeton UP.
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Publisher: Routledge , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title In this ground breaking work of synthesis, Monika Fludernik combines insights from literary theory and linguistics to provide a challenging new theory of narrative. Review : 'Meticulously researched and cogently argued, this landmark work in narratology is perhaps the most distinguished recent contribution to the study of narrative This highly recommendable book will be essential reading not only for all graduate students of English literature, literary theory, and narrative texts, but for the growing number of people concerned with building bridges between the traditionally separate disciplines of literary studies, linguistics, and cognitive theory' - European Journal of English Studies "About this title" may belong to another edition of this title.
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